Acid Pony Club/The Horses/Disques Poney

Acid Pony Club is a DJ and electronic live crew residing in Shanghai, The Horses is the production/mixing and Mastering team behind it, Disques Poney is our label and the name of our studio. We like and make all sorts of music with an emphasis on House and experimental

Slink Rat: Leng Mei's Online Record Shop. Get all the Cloud Choir you've ever dreamed of!

split-works:

slinkrat:

If you have enough brains to figure out how to register your banking to a Taobao account, then you have enough brains to go to Leng Mei’s (guitarist for Beijing based band, Street Kills Strange Animals) online record shop.
He stocks heaps and heaps of stuff that could be one day real…

The XP Store moves online! Good luck to Leng Mei and the rest of the team for making more great releases available to buy.

Cloud Choir will be playing this Thursday at Shelter with us!

Well, that happened.
Xiao Zhong, or Rhys to his mom and to pretty much everybody, hates soundchecks and people who hang out backstage, so I still wonder why we kind of like each other. He is that band Pairs that we recorded and mixed last summer and he is coming back to our studio for his new J-Pop project of which he will tell us absolutely nothing here, how is that for promotion? I only just wanted to interview him because I like the way in which he interviews people on his blog Slink Rat, it’s funny yet relevant, so are his answers here.
- My understanding of the Chinese language is very limited, does “Xiao Zhong” actually mean “small cock”?
Nah, it doesn’t but it might as well. I don’t have a big penis but I don’t think anyone would expect me to. I’m a small guy. Small ears, small hands, small penis. Xiao Cock on vocals. 
- You have recently been hosting a virtual award ceremony, aren’t you afraid of BO putting together a show called “Fuck Tourettes, Fuck Slink Rat” since you didn’t give him a prize?
There’s a few signs that you’ve made it in this town, and a few people organising an event to publically tear you to pieces is one of them. Another is getting invited to a DJ Spenny party.
 - What made you want to work with a pair of french House Producers in the first place? and what makes you come back?
Honestly, you guys are amongst a small group of people here who actually understand good back and fourth piss taking. Gentle ribbing and all that shit. You fucks are funny as all hell and if you say ‘we’ll have the tracks to you by 11pm’ then you have the tracks to us by 11pm. I dig both those qualities. Plus, you won’t get me in the clubs you creeps hang out in, so it’s the only chance we can hang out.
- If you had to choose a DJ name, what would that be?
DJ Fruit Fly. Coming at you soon. I used to be MC Fruit Fly and released a hit single called Zeddy. Last time I went back to my hometown, a girl still had it as her ringtone. I’m like the Crazy Frog back home. Skillz to pay da billz. 
- 3 things I should know about Australia that my girlfriend probably didn’t tell me?
You can’t go to any party without getting some kind of a nickname. It’s impossible. Raph will turn in to the Grapes of Raph, then Grapes, then G, then old mate and then Rapha. Clem will just be called Clemydia and that will stick, It will happen.Nobody drinks Fosters. I’ve never seen a can of it in my life. Australia has some of the most brutal, realistic anti drink driving and anti smoking ads ever! Youtube ‘Australian TAC ads’ if you’ve figured out how to live your life without Astrill.
- There’s a guy in my band who said “the thing with Xiao Zhong’s music, as shitty as it gets, there’s always one good track on the album”, what’s your comment on that?
Law of averages. Write twenty songs, one has to be at least ok.But it’s mostly different tastes. Some people think Dream Theatre are the cream of the crop, some people (me) think they are a total wank. I dig the songs I write because they are things that have happened to me or things I’ve seen or certain ideas I wanted to talk about and as long as I dig them, I’m happy.I’d be more worried if certain people actually liked my band, would probably mean we were writing really, really shit songs.

- When are you going to plug those 2 guitar pedals you own together and make a 7 hours Noise album released only on a limited 10 copy cassette?

Oh shit, you’re crazy close there. I did a field recording for a label in the UK recently and they released our album, Summer Sweat on cassette a year ago. Not sure what they are doing with the field recording, but it might go on cassette. But I don’t have the patience to do a noise album, plus I don’t live in Beijing so it would just seem odd.

Well, that happened.

Xiao Zhong, or Rhys to his mom and to pretty much everybody, hates soundchecks and people who hang out backstage, so I still wonder why we kind of like each other. He is that band Pairs that we recorded and mixed last summer and he is coming back to our studio for his new J-Pop project of which he will tell us absolutely nothing here, how is that for promotion? I only just wanted to interview him because I like the way in which he interviews people on his blog Slink Rat, it’s funny yet relevant, so are his answers here.

- My understanding of the Chinese language is very limited, does “Xiao Zhong” actually mean “small cock”?

Nah, it doesn’t but it might as well. I don’t have a big penis but I don’t think anyone would expect me to. I’m a small guy. Small ears, small hands, small penis. Xiao Cock on vocals. 

- You have recently been hosting a virtual award ceremony, aren’t you afraid of BO putting together a show called “Fuck Tourettes, Fuck Slink Rat” since you didn’t give him a prize?

There’s a few signs that you’ve made it in this town, and a few people organising an event to publically tear you to pieces is one of them. Another is getting invited to a DJ Spenny party.

 - What made you want to work with a pair of french House Producers in the first place? and what makes you come back?

Honestly, you guys are amongst a small group of people here who actually understand good back and fourth piss taking. Gentle ribbing and all that shit. You fucks are funny as all hell and if you say ‘we’ll have the tracks to you by 11pm’ then you have the tracks to us by 11pm. I dig both those qualities. Plus, you won’t get me in the clubs you creeps hang out in, so it’s the only chance we can hang out.

- If you had to choose a DJ name, what would that be?

DJ Fruit Fly. Coming at you soon. I used to be MC Fruit Fly and released a hit single called Zeddy. Last time I went back to my hometown, a girl still had it as her ringtone. I’m like the Crazy Frog back home. Skillz to pay da billz. 

- 3 things I should know about Australia that my girlfriend probably didn’t tell me?

You can’t go to any party without getting some kind of a nickname. It’s impossible. Raph will turn in to the Grapes of Raph, then Grapes, then G, then old mate and then Rapha. Clem will just be called Clemydia and that will stick, It will happen.
Nobody drinks Fosters. I’ve never seen a can of it in my life. 
Australia has some of the most brutal, realistic anti drink driving and anti smoking ads ever! Youtube ‘Australian TAC ads’ if you’ve figured out how to live your life without Astrill.

- There’s a guy in my band who said “the thing with Xiao Zhong’s music, as shitty as it gets, there’s always one good track on the album”, what’s your comment on that?

Law of averages. Write twenty songs, one has to be at least ok.
But it’s mostly different tastes. Some people think Dream Theatre are the cream of the crop, some people (me) think they are a total wank. I dig the songs I write because they are things that have happened to me or things I’ve seen or certain ideas I wanted to talk about and as long as I dig them, I’m happy.I’d be more worried if certain people actually liked my band, would probably mean we were writing really, really shit songs.

- When are you going to plug those 2 guitar pedals you own together and make a 7 hours Noise album released only on a limited 10 copy cassette?

Oh shit, you’re crazy close there. I did a field recording for a label in the UK recently and they released our album, Summer Sweat on cassette a year ago. Not sure what they are doing with the field recording, but it might go on cassette. But I don’t have the patience to do a noise album, plus I don’t live in Beijing so it would just seem odd.

Happened in Shelter

That’s the video for the live set we played a while back in Shelter, it was a very special night, this happened :

- We opened for 2562, maybe it’s all about name dropping, but this guy rocks, flawless set going from the deepest shade of techno to the sweet sound of Disco House

- Our live set was praised by a bunch of people who are usually jaded as fuck, we were said to have embraced the dark side, what can I say, the dark side has better parties!

- My girlfriend danced to House Music and said she loved it, coming from someone who is primarily a Trance Head it’s kind of a big deal

- The chain of bad habits was broken

- We had a blast and even made some people dance, wecan’t wait to do it again!

A track we made a while back exclusively for our Number20 Mix, all mixed through an old crappy Mackie mixer and a bunch of hardware, Clem played those moog solos live and we sequenced and mixed everything live, was fun to make and captures the feeling of our live sets.

I’m uploading another couple of tracks we made more recently that aim to capture that same live feeling and that were made with our latest recruit, DJ El’se, who handles the drum machine in our live set and Deejays with us whenever our busy schedule allows it. The 3 of us have established a musical connection, deeply rooted in disco infused House with an Electro/Techno and Funk twist. We’re now a team both on stage and in the studio, and it’s great!

House music doesn’t deal with politics, we’re all too busy being super hedonistic or reading Resident Advisor to even think about the world’s situation and how powerful people are laughing all the way to the bank after pillaging our ressources and treating human as raw material. I say let them do and dance away, it’s not like the world isn’t doomed or anything.

This tracks doesn’t talk about anything, but if it did it would about how the west is still making major amounts of money in Africa while its population is being decimated by famine, violence and last but not least AIDS, it would say something about how former colonies are not so former than that. But it doesn’t say anything, it’s House Music.

Happening In Shelter this Thursday

(Click on the pic to listen to the mix)

It’s no secret i’ve been over the idea of entertaining people with loopy dance music for a while, i would much rather torture them.
And so this thursday we’re trying a bit of a new formula at The Shelter here in Shanghai, playing live with a bunch of modular synths over some vintage horror movies, deejaying a bunch of music that you can only dance to with a bit of imagination. Of course it sounds challenging and not very fun, but life isn’t always about loosing yourself in the common boom-boom of the House beat, sometimes it’s about another experience.
This short mix will give you an idea of the music you’ll hear that night, some old industrial favourites, some new droney stuff, some noise, and even classical music that seems to have been completely banned from the clubs a long time ago, time to bring it back!
So this thursday let your mind come naked, and let’s listen to a bunch of drones.

Playlist :
01 - Niggas With Guitars - Okkultistismist
02 - Arnold Schoenberg - Verklarte Nacht for String Sextet
03 - Laura Ingalls - No Light + Laibach - Cari Amici Soldati
04 - Emptyset - Mirror
05 - Godspeed You Black Emperor - Providence
06 - Bernard Herrmann - Music from Psycho - The Rainstorm
07 - Gravetemple - I
08 - Dirty Beaches - Casino Lisboa (Heathered Pearls’ dead time rework)
09 - Fennesz - Fa 2012
10 - Sun Araw - Last Chants
11 - Roly Porter - Tleilax
12 - Venetian Snares - Befriend A Child Killer
13 - Skinny Puppy - Rash Reflection

Happening In Shelter this Thursday

(Click on the pic to listen to the mix)

It’s no secret i’ve been over the idea of entertaining people with loopy dance music for a while, i would much rather torture them.

And so this thursday we’re trying a bit of a new formula at The Shelter here in Shanghai, playing live with a bunch of modular synths over some vintage horror movies, deejaying a bunch of music that you can only dance to with a bit of imagination. Of course it sounds challenging and not very fun, but life isn’t always about loosing yourself in the common boom-boom of the House beat, sometimes it’s about another experience.

This short mix will give you an idea of the music you’ll hear that night, some old industrial favourites, some new droney stuff, some noise, and even classical music that seems to have been completely banned from the clubs a long time ago, time to bring it back!

So this thursday let your mind come naked, and let’s listen to a bunch of drones.

Playlist :

01 - Niggas With Guitars - Okkultistismist

02 - Arnold Schoenberg - Verklarte Nacht for String Sextet

03 - Laura Ingalls - No Light + Laibach - Cari Amici Soldati

04 - Emptyset - Mirror

05 - Godspeed You Black Emperor - Providence

06 - Bernard Herrmann - Music from Psycho - The Rainstorm

07 - Gravetemple - I

08 - Dirty Beaches - Casino Lisboa (Heathered Pearls’ dead time rework)

09 - Fennesz - Fa 2012

10 - Sun Araw - Last Chants

11 - Roly Porter - Tleilax

12 - Venetian Snares - Befriend A Child Killer

13 - Skinny Puppy - Rash Reflection

Happening to your feet
http://i.mixcloud.com/CC0yo7
I love doing mixes that aren’t really mixed, as you may know beat-matching is so 2000-and-late anyway, and because i never listen to a single House mix at home this represents what happens when i put my itunes on shuffle. A bit of funk, a bit of dark and twisted neo-classical stuffs, some House and lots of weirded out stuffs.
Also introducing in this mix a small track from my forthcoming Beat Tape on SVBKVLTVR, a local label ran by the guy behind The Shelter and the Subculture parties there, also in this mix a track from a tape already released by Caliph8. Pure fucking genius, loving this so much. 
check out Subculture stuffs here : http://subcultureshanghai.com/
I’m pretty happy because this is the first time I successfully worked on a long format, took me about a month, sitting down on the floor of my living room with a bunch of weird synths, some old crackling soul records and a zoom recorder to record the sounds around me.
The thing about having such a nice studio is that there’s a sort of pressure that develops, the pressure to make things clean and nice, the pressure to achieve something that really stands out, where as in your living room you go back to being just that guy who likes to fuck around, it’s kind of liberating.
Anyway, it’s the weekend and I can’t wait to put on my mini-short and find me a not-really-cute Euro trash boy to bang me and never call me back, I think i’ll go to the Apartment for that this time.
Cheers girls.

Happening to your feet

http://i.mixcloud.com/CC0yo7

I love doing mixes that aren’t really mixed, as you may know beat-matching is so 2000-and-late anyway, and because i never listen to a single House mix at home this represents what happens when i put my itunes on shuffle. A bit of funk, a bit of dark and twisted neo-classical stuffs, some House and lots of weirded out stuffs.

Also introducing in this mix a small track from my forthcoming Beat Tape on SVBKVLTVR, a local label ran by the guy behind The Shelter and the Subculture parties there, also in this mix a track from a tape already released by Caliph8. Pure fucking genius, loving this so much. 

check out Subculture stuffs here : http://subcultureshanghai.com/

I’m pretty happy because this is the first time I successfully worked on a long format, took me about a month, sitting down on the floor of my living room with a bunch of weird synths, some old crackling soul records and a zoom recorder to record the sounds around me.

The thing about having such a nice studio is that there’s a sort of pressure that develops, the pressure to make things clean and nice, the pressure to achieve something that really stands out, where as in your living room you go back to being just that guy who likes to fuck around, it’s kind of liberating.

Anyway, it’s the weekend and I can’t wait to put on my mini-short and find me a not-really-cute Euro trash boy to bang me and never call me back, I think i’ll go to the Apartment for that this time.

Cheers girls.

Happening in Versailles

I believe it’s entirely normal to be deceived by a band you love, its called evolution, and it’s entirely normal for a band or an artist to evolve quicker than its fans, for one you’re richer, thus you have access to better drugs, or to better cures and also masses  move slower, it’s a physical thing.

To use an analogy that will convince you on the spot, it’s like if you were an early Van Halen fan. You got swooped away by the simplicity and the humbleness of their first albums, and then, BOOM, it’s 1984 and they come out with “Jump” and its disgustingly opulent Oberheim synth line, that shit confuses you so much that you might as well jump, out the window. A few years ago we were all together, gay bashing and burning Disco records, and now these certified WASPs are using synthesisers like some nerdy new-wave act? Might as well jump off the wagon and embrace Depeche Mode as your favourite band.

You see, a perfect example of a band evolving faster than its fans.

And that’s why I dislike the new Daft Punk so much, these guys have evolved waaaaay faster than i did. I’m nowhere near ready fo this forward thinking music. They’re already to the point where i will be 20 years from now, when i will finally understand the genius of Abba, the sheer magic of UB40, the absolute supremacy of Cher. Let’s put it like that, they got old quicker than you’d think anyone ever would, moving from being that snob at the back of the room who understands Drones and debates about how Henry Rollins sold out to being that dude who’s enthusiastic about a cover-band playing his favourite Bonnie Tyler song.

No, Daft Punk can’t funk, their vocoder sound is to Roger Troutman what Bonnie Tyler is to the funk, completely remote, far far away. But who cares? Heaps of people on boat cruises around the world will get lucky thanks to their music this summer, and in 10 years from now the snobs will probably go back to this masterpiece of shit saying that it’s like sooooo superior to anything that’s being done now.

As for first reactions of the now, I was heard saying that even Lady Gaga or Lana Del Rey sounded better than this piece of shit, and then Sam said it reminded him of Steely Dan, spirit was high, critics were slammed, that’s an hour of our lives we’re not getting back.

Oh and the Giorgio Moroder song, seriously, get fucked. that’s my review of it.

Meanwhile on a label that doesn’t have the mean to over-market turds, the funk is still alive, no Club Med deejay will ever play it and the guy was in Suicidal Tendencies, class much?

His name is Thundercat and his album is coming out soon on Flying Lotus’ label Brainfeeder, home to a bunch of talented beat nerds, this track is about rolling, or raging as they on the EDM scene aka the-kids-that-don’t-get-the-last-daftpunk-album-yet.

Get fucked up, listen to some funk, it’s summer time y’all!!!

redscalestudios:

3 min Excerpt from Monster Mash Up- Live Cinema Performance by Tina Sprinkles & Acid Pony Club
Live Video Manipulation and Live audio sound track- Full performance 50mins
Video edited from Dr Jekyll & Mr Hyde films from 1920,1931,1941
Video Edit & live manipulation by Tina Sprinkles
Audio soundscapes by Acid Pony Club
Live music performed by Clement Pony and Laura Ingalls with pre-recorded loops and analog improvisation
Music : Laura Ingalls - Jekyll and Hyde
Created and performed live in Shanghai.
Premiered at Jue Festival 2013 & SVBKVLT Launch